Happy Valentine’s Day: 3 Bittersweet Romances Involving Reluctant Royals

In 1953, the same year Roman Holiday debuted, a romance flourished between a real-life princess and a commoner. Britain’s Princess Margaret, 22, and Capt. Peter Townsend, 38, were madly love, and the newspapers were full of the story. Townsend had served in various palace positions from the time Margaret was 14 and often chaperoned her.

But Townsend was divorced, and neither the Church of England nor the prime minister (who was also divorced) would approve the union for that reason.

If the two married, Parliament stipulated Margaret would have to give up her position as royalty, including her allowance. She eventually acceded and maintained her position.

When the British royal family heard Roman Holiday was being made, they insisted producers sign an agreement that Margaret and Townsend would not be referenced in association with it. The plot was never intentionally based on them anyway; the story had been bouncing around Hollywood for some 10 years. Paramount agreed, but the public made the connection regardless, which increased the film’s popularity at the box office.

Romance versus royal duties is at play in all three of this week’s pick, though in varying ways. Each movie features a dynamic leading lady, all costumed enviously. Two won best actress Academy Awards for their roles in these movies. The third fared, perhaps, even better. She became a princess in real life.


Roman Holiday

RELEASE DATE: 1953  DIRECTOR: William Wyler  STUDIO: Paramount  HEADLINERS: Gregory Peck, Audrey Hepburn, Eddie Albert   RUN TIME: 1 hour, 58 minutes  FILMED IN: Black & White  IMDb RANK: 8.0

SYNOPSIS: A bored and sheltered princess escapes her guardians in Rome and falls in love with an American newsman.

NOTES: Paramount wanted to shoot this in Hollywood rather than on location, but director Wyler refused. The studio finally agreed, but filmed the movie in black and white and cast then unknown Hepburn as Princess Ann to cut the budget. Hepburn won the role of Ann thanks to a legendary screen test that included candid interview footage. The cameraman was instructed to keep cameras rolling after the director said, “Cut,” and several minutes of unrehearsed, spontaneous Hepburn was captured. The Embassy Ball scene features real Italian nobility, and the presentation of Princess Ann scene uses actual reporters on assignment in Itay. Both Peck and Hepburn met their respective future spouses on the set. The use of the Italian Vespa two-stroke scooter kindled an unprecedented public interest in the vehicle after the movie’s release. After filming, Peck told producers that since, in his opinion, Hepburn would win an Oscar (for this, her first major role), they should put her name above the title. They did and she did. Hepburn was so overwhelmed at winning the Oscar that she took the wrong route to get to the stage, kissed the presenter on the mouth instead of the cheek, gave a breathless speech, then, in her excitement, left the trophy in the ladies’ room. Turning quickly on the steps of the Center Theater in New York, she raced back to the ladies room, retrieved the award, and was ready to pose for photographs.

LINKS: Trailer | Full film | Rent/buy


Anastasia

RELEASE DATE: 1956 DIRECTOR: Anatole Litvak  STUDIO: 20th Century Fox  HEADLINERS: Ingrid Bergman, Yul Brynner, Akim Tamiroff, Helen Hayes  RUN TIME: 1 hour, 45 minutes  FILMED IN: Color  IMDb RANK: 7.0

SYNOPSIS: Russian exiles in Paris plot to collect 10 million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While coaching her, her handler comes to believe she is really Anastasia. Or, is he just in love? In the end, the Empress must decide her claim.

NOTES: Based on the story of Anna Anderson, a woman who claimed to be the Grand Duchess Anastasia. Much later, DNA confirmed she was not, and the bodies of all nine members of the Russian royal family were recovered. Helen Haye was a British actress who had impressed the film’s producer in a 1953 BBC television production of Anastasia. He sent a memo to the films’ casting director, saying, “Hire Helen Haye,” who thought the last name was a misprint and instead hired the popular American actress Helen Hayes. Bergman won the best actress Oscar for her performance, but Cary Grant accepted it for her, since Hollywood had effectively blacklisted her in 1949 for having an affair with director Roberto Rossellini and having his child out of wedlock.

LINKS: Trailer | Full film | Rent/buy


The Swan

RELEASE DATE: 1956  DIRECTOR: Charles Vidor  STUDIO: MGM  HEADLINERS: Grace Kelly, Alec Guinness, Louis Jourdan, Jesse Royce Landis, Agnes Moorehead  RUN TIME: 1 hour, 44 minutes  FILMED IN: Color  IMDb RANK: 6.4

SYNOPSIS: When a crown prince visits, Princess Alexandra’s mother tries to push him into marrying her daughter by presenting a “rival” at the ball–her children’s handsome tutor. But the plan doesn’t go as planned.

NOTES: Shot on location at the 1895 Biltmore Estate and at Lake Junaluska, both in North Carolina. This was the second time in two years that Jessie Royce Landis played Grace Kelly’s mother; the first was in To Catch a Thief the previous year. Rex Harrison and Joseph Cotten were both offered the role of Prince Albert before it went to Guinness, who was appearing in his first American film. MGM released this movie on April 18, 1956, to correspond with the wedding day of Grace Kelly and Prince Rainier of Monaco. Helen Rose, who designed the clothing for this movie, also designed Kelly’s wedding gown.

LINKS: Trailer | Rent/buy


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Susan Clark Lawson

As journalist, business communicator, entrepreneur and teacher, Susan’s writing has appeared in a variety of newspapers, magazines, literary journals and coffee table books. Her creativity has been the anonymous force behind scores of brochures, newsletters, logos, annual reports and flyers.

As a high school publications adviser, her yearbooks won top national awards from both the National Scholastic Press Association and the Columbia Scholastic Press Association.

As a business communicator, she supervised employee publications for a Fortune 500 electric utility and eventually started her own successful writing and design business, WildCat Communications.

She earned accredited business communicator (ABC) status from the International Association of Business Communicators, for which she served as an international executive board member, tri-state district director and Indianapolis chapter president, among other roles. IABC International named Indianapolis Midsized Chapter of the Year for 1996, the year Susan was its president, and in 1998, the chapter reciprocated by naming Susan its Communicator of the Year.

In 2005 she trained with Amherst Writers & Artists and since then has led hundreds of supportive, generative creative-writing workshops, both in person and virtually, through libraries and in her home, employing AWA methods.

Now (mostly) retired, Susan lives with her husband of more than 35 years and their two sassy cats in a light-filled brick house on a quiet lake in Indiana, where all enjoy watching the wildlife. She’s an active volunteer with the local Purdue Extension Service and an Advanced Master Gardener.


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